Wednesday, December 14, 2011

Palau Sant Jordi (Cultural Site)

            Personally, one my favorite cultural places in Barcelona is Palau Sant Jordi.  Palau Sant Jordi is a multi-purpose indoor sports arena.  It was built in 1990 in preparation for the 1992 Olympics.  Located on Montjuic, Palau Sant Jordi can hold 17,000 people for sporting events and 24,000 for musical events.  At the 1992 Olympic games, the arena hosted the gymnastic, handball and volleyball.1  To be honest, the arena would be cooler in my opinion if it had hosted the basketball games, due to the USA Dream Team’s domination.  Nonetheless, it is a good venue to see a concert at.  The first time I went to Palau Sant Jordi, my brother was in town from New York.  We went with the rest of my friends and the majority of CEA students to Sensation White, a house music conert.
            In the past, Palau Sant Jordi has hosted way better musical talents than some semi-popular DJs.  I looked up who has played there in the past – here are a few names I really like: Frank Sinatra, U2, Metallica, Elton John, Paul McCartney, AC/DC, Bruce Springsteen, Queen and KISS.[1]  Four of those bands, I have seen at different venues in New York.  And now, it is time to add another EPIC show to my history: the Red Hot Chilli Peppers.  They have played at Palau Sant Jordi before in 2006, but this is my first time seeing them live.  Arguably my favorite rock band of all time, I bought my ticket when they went on sale in July.  My three other roommates, who are some of my best mates from home, also have tickets.  We have been looking forward to this day for about five month, and it is finally here.  Thursday night will be bittersweet because I will finally see one my favorite bands, but it will also be my last night in Barcelona.  I am stoked they are playing at Palau Sant Jordi so my last night in Barcelona will be spent at a cool venue with a lot of Catalonian culture.


[1] Palau Sant Jordi. Wikipedia, 2011. http://en.wikipedia.org/wiki/Palau_Sant_Jordi

Tuesday, December 13, 2011

Montserrat (Cultural Site)

            One of my favorite places I have been this semester is Montserrat.  Montserrat is a multi-peaked mountain north of Barcelona.  My roommates and I made the trip with one of my roommate’s families while they were visiting.  When I heard they were interested in going, I was thrilled because one of my friends had told me about the time he went with our high school a few years ago.  St. Ignatius was a staple in my religious education at Xavier High School.  After losing his arm in battle, determined to live the life of a hermit St. Ignatius of Loyola climbed Montserrat.  There he would stay for almost a year and live a quite life full of prayer.  Finally, I had the chance to see this mountain for myself. 
            To get there, we took a train for one hour.  Then we had to take a funicular, and to get to the very top of the mountain another funicular.  First we explored the Benedictine abbey, Santa Maria de Montserrat.  This is monastery built into the side of the mountain.  The monastery is home to the Virgin of Montserrat, one of the black Madonnas of Europe.  The black Madonnas are a series of medieval statues and paintings in which the Virgin Mary is black.  They are said to be very holy, and if you touch one, which we all did, it is good luck.
            After exploring the monastery and seeing the cave where St. Ignatius prayed, my roommates and I took the funicular to the top of the mountain.  My buddy’s family was intimidated by the steep incline of the funicular so they stayed behind.  It was nice being on the very top of mountain with just my three roommates because after sharing this whole semester abroad experience together, we knew this was the best view we’ve had of anywhere so far.  We agreed that the view was better than from the top of Tibidabo, which says a lot.  The air was the freshest I came across all semester.  Completely surrounded by nature on the top of a mountain, I felt closer to heavens than ever before.

Barca comes back to win Clasico (News Story)

            Living in Barcelona, one is overwhelmed with Catalan nationalism.  A huge part of this nationalism is Catalonia’s love for their football club, FC Barcelona.  Walking down my street I see FC Barcelona backpacks on little kids and in the window for sale of a school supplies store.  It is almost impossible to walk anywhere without spotting somewhere wearing a piece of FC Barcelona apparel.  Barca’s main rival is Real Madrid.  This rivalry has its roots in something way deeper than football.  The rivalry stems from a historical rivalry between the two cities.  Madrid, the capital of Spain, has suppressed Barcelona, the capital of Catalonia that continues to fight for its own nationhood, throughout history.  Wars, such as the Spanish War of Succession and the Spanish Civil War, have left Barcelona crippled and destroyed by the hands of their enemy.  Football is something Catalonians pride themselves in and use as a motor to beat their sworn rival, Madrid.
            Barcelona was behind Madrid in the rankings prior to this last Saturday’s game.  The rival matches between Barca and Madrid are given the name “El Clasico.”  Never disappointing, this Saturday was no different.  To start things off with a spark, Madrid scored first only 22 seconds into the game.  From this moment on, Barcelona strangled their host in a display of dominance. At 30’ Sanchez scored of a pass from Messi.  To kick off the second half, Xavi scored.  And to seal the deal, Fabregas scored at 66’.[1]  The result was a huge blow for Madrid, who had serious confidence going into the game on a hot streak.  The win for FC Barcelona was crucial, as they will try to continue this momentum into the post season.


[1] Barca comes back to win Clasico. ESPN, 2011.

El Raval (Field Trip)

            El Raval is a neighborhood located right off of La Rambla.  El Raval used to be one of the worst slums in Europe.  It was home to drugs, poverty, prostitution and homeless people.  Very narrow streets create dark alleys and give some parts of the neighborhood a slum-like feel.  In the past, the quality of life in el Raval was very low.  Until the Barcelona Model was introduced as a means to rid the city of its slums and increase quality of life for all of it’s citizens. 
            The Barcelona Model aimed to create social infrastructure.  To do this, they created open public spaces, new appealing architecture, and trendy public sculptures.  Examples of this can be seen taking a stroll through the neighborhood.  Palau Guell, a work done by Guadi has been reserved and is cleaned regularly to give it a fresh look.  El Gat del Raval is a sculpture of a cat that is located in the center of a wide walking street in the center of the neighborhood.  MACBA and CCBA are examples of buildings constructed to give the area more culture.  A modern looking aluminum building serves as appealing architecture.  A hospital was built to take care of the sick, and la Biblioteca Nacional de Catalunya serves as an opportunity for learning. 
            The Barcelona Model did have some cons to its many pros.  The biggest effect was gentrification.  This happens when wealthier people move into a formerly poor area that has gone under reformation, and as a result, the poor people that formerly lived there are displaced.  Poverty can still be seen in el Raval.  This obvious when locals of the neighborhood spray paint buildings with messages explaining not everything is good prosperous.  Poverty and perhaps drug use also displayed themselves when a fight broke out on our field trip.  Both men looked like drug abusers and one had some sort of cast on probably a broken hand.  Entertaining at first, but a sad display of poverty in El Raval.

19th Century Eixample (Field Trip)

            The Eixample represents a large geographic portion of the city of Barcelona.  In Catalan, “l’eixample” literally means  “the extension.”  And that is exactly what it is, an extension onto the old city.  In the 19th century, Barcelona was a booming city due to the Industrial Revolution and the city’s location right on the water.  To respond to the growing city’s population demands the government had to act quickly and formulate a plan to satisfy their city’s needs. With the old city walls demolished, the door for expansion was wide open.  After a contest to see who could come up with the best plan for the city, the government chose Ildefonso Cerda to be the chief engineer that would expand Barcelona.  His vision involved a grid pattern with square blocks that would have cut off corners, thus allowing more natural sunlight onto the street.  He envisioned wide and long streets to increase ventilation and a lot of gardens to serve as public space.  Overall, Cerda wanted to improve the quality of life for residents of Barcelona.
            L’Eixample became a blank canvas for Catalan modernism architects.  Catalan modernism antecedents and key characteristics include romanticism, nationalism and eclecticism.  Romanticism, which spanned from 1750 to 1850, was an international movement based on individualism, nationalism, and the admiration of wild nature, which turned into interest torwards eclecticism.[1]  The nationalism and eclecticism aspects of Catalan modernism coincide.  Eclecticism can be seen as tool to reinforce nationalism.  Through new architecture, Catalan modernism attempted to give Catalonia its own individual unique style.  Catalan modernism wanted to leave the Victorian architecture of the bourgeois world associated with classicism.  This type of architecture was visible in many of the works at Barcelona’s 1888 Great Exhibition.[2]  Not coincidently, Catalan modernism is considered to start in 1888.  Spearheaded by Antoni Gaudí, Catalan modernism architecture developed into its own nature inspired style.  L’Eixample includes two of Gaudi’s most famous modernisme works, Casa Mila and Casa Batllo.


[1] Enrich, Llorach. Gaudi summary notes. Barcelona: Architecture & Painting in Barcelona, 2011.

[2] Catalan modernism. Parc Guell. Barcelona, 2011. http://www.parkguell.es/en/hist_3.php

El Born (Field Trip)

 The Barcelona El Born district is known as the medieval quarter.  It district is sandwiched between Via Laietana and Barceloneta.  El Born used to house some of Barcelona’s wealthiest.  Especially on Carrer Montcada, which is now home to the Picasso Museum.  Back in the day, el Born was home to the textile guilds of Barcelona.  Specific guilds used to characterize neighborhoods and even sometimes name streets.  El Born was known for its textiles and is now also home to the Textile Museum. 
Also located in el Born is la Basilica de Santa Maria del Mar.  This gothic church has a robust appearance, with tall windows, a large circular window at the center top, and a detailed façade around the entrance way that comes to a point.  Inside you see tall columns that lead into a typical gothic style ceiling of arches.  Next to the Basilica is a mass grave of Catalan soldiers that lost their lives in the War of Spanish Succession.  A flame burns through the day and night atop of a tall monument in the fallen soldiers memory.  The War of Spanish Succession is an important period of Spanish and Catalan history.  The war was fought between the Bourbons and the Hapsburgs to see who would take control of the country.  The Bourbon monarch Phillip V eventually won, which had unfortunate results for Barcelona.  After one third of the city was destroyed, the new monarch implemented new harsh laws that restricted Catalans political and personal freedoms.  To house the people that were left homeless by the city’s destruction, Phillip V built the nearby Barceloneta.  Walking through the el Born district, you can feel the weight of history and get a sense of Catalan nationalism.  

Monday, December 12, 2011

Roman Barcino (Field Trip)

The first field trip we went on as a class was to the old Roman city, originally named Barcino by the Romans.  The old city is located just down the block from our CEA Global Campus if you take Via Laietana.  Today, the area is packed with shops, restaurants, tapas bars and tourists, in addition to business men that work in some of the office buildings.  But nearly two thousand years ago, the city was quite different.  At first, the city was built as a colony for soldiers.  But as construction continued, the city grew commercially and economically as well.  The Roman city was set up like a military camp with the forum, or “la caixa,” serving as the central meeting place of the city.  The forum was located at the intersection of the two main roads: the north-south Cardus Maaximus, and the east-west Decumanus Maximus.  At the forum would be the Roman city’s church, government, schools, bathhouse and other important things.
Two of the sites on this field trip I particularly enjoyed the most were the Cathedral of the Holy Cross and Saint Eulalia and the Temple of Augustus.   The Cathedral is a post-Roman construction, being built from the 13th to 15th centuries.  The neo-Gothic façade blew my mind the first time I saw it.  Churches with this amount of detail are absent in the United States, and the Barcelona Cathedral was nothing compared to churches I would see throughout the rest of my semester on my travels.  The Temple of Augustus, on the other hand, was around when the Romans were.  The temple was a worshipping place for the Emperor Augustus, and today, three pillars remain.  It blew my mind how these pillars are still able to stand after thousands of years.  They were able to construct huge columns without any of the tools present today.  It says a lot about the Roman’s (and humans in general) ingenuity.  

Citizens Cleaning Certify that Barcelona can be Improved (News Story)


La Vanguardia ask the people of Barcelona in a poll if they thought the city was dirty.  The people responded unanimously "yes."  They think the municipal cleaning system in Barcelona is not working well.  The article stated that the mayor is committed to, without spending a single penny more, improving the system that is currently being used to keep the city clean.  He plans on revealing a set of proposed improvements to the sanitation companies that the city of Barcelona has a contract with until 2017.[1]
Barcelona is one of the densest European cities, which makes it more complicated to clean.  In order for the city to look its cleanest, civilians must play their part as well.  The first step in this would be not littering.  But they must go further than that and clean the areas they are responsible for.  Cleaning of sidewalks is not only a recommendation, it is an obligation in Barcelona.  There are laws currently in place that say owners of buildings, lots, shops, courtyards etc. are responsible for cleaning the sidewalk and withdrawal of garbage.  This law largely goes unenforced.  Some people choose to play their part, though it is not usual.1
Personally, coming from New York City, I think Barcelona is a clean city.  Walking around the city during the daytime you will see sanitation trucks full of water used to clean the sidewalk. Where I am from, the layers of grime on the street and sidewalk is too thick that hosing it down would not make a difference.  I must say though, the one thing that is present in Barcelona, and thankfully not back home, is dog owner’s complete lack of care for wherever their dog goes to the bathroom.  Everyday, my walk to and from school involved stepping over piles of puddles of dog waste.  If the mayor took care of that, the city would smell a lot nicer, that is for sure.


[1] Citizens cleaning certify that Barcelona can be improved. La Vanguardia, 11 October 2011.

Spain banks downgraded by S&P and Fitch (News Story)

Back in October, two of the leading credit rating agencies, S&P and Fitch, downgraded the rating of ten financial institutions. those ten institutions include Santander and BBVA, two of countries largest banks.  Ratings agencies were downgrading banks all over the European Union during the debt crisis.  Spanish banks were targeted in particular this week in October, as the financial environment in Spain is tougher than most companies anticipated.[1]  One of the ratings agencies said Spain’s economy faces dimming growth in the near future.  Meanwhile, the real estate market remains depressed and turbulence in the capital markets is peaking. 
Banks are expected to continue to feel the effects of the imbalances in the Spanish economy for the next 15-18 months.  Rating agency Fitch said, “Spain's high underlying budget deficit and its fragile economic recovery made the country especially vulnerable to external shocks.”1  The greatest external shock being the situation in Greece.  The entire EU was effected by Greece, but apparently Spain in particular.  The economic situation in Spain does not look hopeful.  All over the country, families are feeling the effects, including Barcelona.  The unemployment rate in Spain is a frightening number and actually on the rise.  With the results of the November’s election, hopefully a new government can turn things around in 2012.



[1] Spain banks downgraded by S&P and Fitch. BBC, 11 October 2011.

Palau del Bisbe (Place)

           Palau del Bisbe is located at Carrer del Bisbe, 5.  It is in the Gothic neighborhood within the Ciutat Vella district of Barcelona, Spain.  This residential fortress was built in the late twelfth century to house bishops.  Like most buildings built during that time, it has a typical Romanesque structure.  The walls are thick and built with large cinderblock-like bricks.  In the 16th century, the building went under reformation and now has a slightly Baroque appearance.  Baroque is a style of architecture that looks to dramatically represent the Catholic religion.  A rather baroque statue is located right next door to Palau del Bisbe, which depicts some biblical scene with heavenly angels above them.  The only thing separating Palau del Bisbe and the Cathedral of Santa Eulalia is the thin alleyway-like street that is Carrer del Bisbe. 
The entrance is a wide arch with a very basic design.  Inside the entrance is a large courtyard that receives a large amount of sunlight. In the center of the courtyard is a statue of the Virgin Mary sitting down with baby Jesus on her lap.   Shrubs and four lampposts surround the statue.  On the right hand side of the courtyard are steps leading to the second of what appears to only be three or four levels.  The first and second floors of the three buildings that make the courtyard have wide arches built into them.  The first floor arches are entrances to the buildings.  The second floor arches are stained glass windows. The top level has skinny Romanesque windows.  The building is currently used for church offices.  In the courtyard there are a few parked cars that belong to the people who work there.  It is not open to the public and protected by a security guard.  

Parc Guell (Place)

After considering everything that influenced Antoni Gaudí’s style, its boils down to three main themes that can be found in his best works: nature, Catalan modernism, and religious faith in God.  Antoni Gaudí’s love for nature began in his early childhood and developed into deep appreciation for his native land of the Mediterranean.  Time spent outdoors, particularly during the summer stays in the Gaudí family home, Mas de la Calderera, gave him the opportunity to study nature.[1]  Gaudí developed his nature inspired systems and tools for architecture during the Art Nouveau.  Art Nouveau set the international context for Catalan modernism.  Through new architecture, Catalan modernism attempted to give Catalonia its own individual unique style.  Spearheaded by Antoni Gaudí, Catalan modernism architecture developed into its own nature inspired style.1
Parc Guell, perhaps, displays the three major themes of Antoni Gaudí the best out of all of his works.  Firstly, the way his construction blends in and coexists in harmony with natural is amazing.  Lively palm trees and plants coat every walkway to make one feel like they are in a natural forest.  Underpasses constructed out of stone gives the impression that you are in the pocket of a breaking wave.  Religious themes are clearly present at the two best viewing points from the park.  At the top of the park, a giant stone cross looks out to the Mediterranean.  And from the worlds longest bench, in the foreground of a stunning view of the Barcelona, is a four-armed cross, a common Catholic symbol of Gaudí.  And of course, in Antoni Gaudí’s only town planning project, symbols of Catalan nationalism are present.  At the entrance to the park is Gaudí’s multicolored mosaic dragon fountain.  The dragon, representing the one slayed by St. George of course, has become an iconic symbol for Barcelona, Catalonia, and Gaudí himself.  Nearby is the mosaic serpent fountain, which the Catalan flag is displayed behind, also in mosaic form.


[1] Estevez, A. Geniuses of Art: Gaudí. Madrid: Susaeta, 2006.

Casa Batllo & Casa Mila (Cultural Site)


            It has been suggested that Antoni Gaudi’s early exposure to nature helped to form two of his greatest skills: observation and analysis of nature.  Gaudí studied nature’s angles and curves and incorporated them into his designs.  “Antoni Gaudí pioneered an architecture based on nature’s geometric forms.  Structural and ornamental, they reflect his native region, and ingenuity.”[1]  Gaudí observed the many functionally perfect structures present in nature and applied them to his designs.  For instance, instead of relying on the typical geometric shapes, he mimicked the way trees and humans grow and stand upright.  Perhaps, the most important nature inspired design Antoni Gaudí created is the Catenary system.  He found a rope hanging from two points formed a hyperbolic paraboloid, or parabolic arch.  Gaudí’s clear understanding of the gravity and tensions involved with the parabolic arch, led him to develop this method perfect for building stone architecture however he pleased.  This form is very common in the natural world and ultimately helped Antoni Gaudí stray away from historicism and develop a new relationship with the natural world as a source of inspiration.[2] 
At Casa Battlo, Gaudí showcases his comprehension of the human body and its natural function.  The entire façade looks as if it is covered with bones, skulls, shoulder blades, hipbones, shinbones and fibulas.  The bones also suggest the common Catalan theme, St. George slaying the dragon.  Casa Mila, is fantastic in incorporating nature.  The entire façade flows like water; wavy but not once breaking continuity.  Casa Mila’s attic is a stunning example of Antoni Gaudí’s use of parabolic arches.  And the roof, which is emblazoned with intricate statues that remind one of nature, takes the shape of the attic it rests on.  Walking up and down the steps that follow the parabolic arches makes one feel like they are on top of a hilly mountain.



[1] Design by nature. National Geographic, 2010, 218, 6.

[2] Enrich, Llorach. Gaudi summary notes. Barcelona: Architecture & Painting in Barcelona, 2011.

La Sagrada Familia (Place)

If Antoni Gaudí had not been commissioned for his life’s work, Basilica y Templo Expiatorio de la Sagrada Familia, his fame would only be a fraction of what it is.  It is his masterpiece vision and partial completion of a Catholic church that brings millions, instead of thousands, of tourists and sightseers to Barcelona every year to admire his works.  Gaudí took over work on la Sagrada Familia in 1883, revising the original architect’s plans from scratch But it was the last 20 years of his life, beginning in 1906, characterized by daily confession and mass, when his spiritual life and masterpiece began to merge.  From then on, “he devoted himself single-mindedly to the ‘expiatory temple,’ knowing it would take generations after his death to make good his epic vision.”[1]  Antoni Gaudí respected creation as the manifestation of God’s will.  Gaudí found God in the very technique he used to create la Sagrada Familia, the Catenary system.  The two points and curved line that create the parabolic arch are symbolic to Gaudí.  In those two points, “Gaudí saw the Father and the Son, each unique and infinite, with the cord of the Holy Spirit binding them together.”[1]   Antoni Gaudí, apart from his faith is incomprehensible.
The complete design of the eighteen towers, representing the Twelve Apostles, the Four Evangalists, The Virgin Mary and Jesus Christ, and the facades do an astonishing job of putting the Catholic religion on display to the outside world. It is important, however, to also focus on the nature theme hugely present at la Sagrada Familia.  The inside of the Basilica makes one feel like they are in a forest.  Gaudí has created this feeling using the shapes he found in nature.  Such as the columns, which at their crown break off into what look like branches.  Gaudí incorporates passion fruit tendrils along the walls of his Nativity façade.  And the tops of the towers, they are modeled after blades of grass that grew in and around Barcelona, and crystals.[2]  “When you pray in the Sagrada Familia, you will be enveloped by structural forms that are closer to God’s design than are those of any other church.”1  And that was exactly how Gaudí intended it to be.  Pope John Paul II endorsed Antoni Gaudi’s nomination for sainthood in 2000. And in 2010, Pope Benedict XVI consecrated la Sagrada Familia.[1]  The Basilica is scheduled to finish construction by 2026.

Port de Barcelona


The English physicist Sir Isaac Newton stated in his third law of motion that for every action there is an opposite and equal reaction.  This has proved to be true not only in the physics realm, but true to the choices encountered throughout life.  Consequences are inevitable when making decisions, whether they are beneficial or detrimental.  When applying this “law” to Barcelona’s harbor you can view how society’s decisions have shaped the way the city has interacted with the sea as well as initiated urban changes within itself in order to improve the aesthetics of the city.  Looking back throughout Barcelona’s history the harbor has played a significant role in connecting the coastal city to the rest of the world.  During the Late Middle Ages Barcelona was the vessel between two medieval worlds: Islam in the south and Christianity in the north.  Because of its location between the two worlds Barcelona rapidly grew as the trading point between the them, and soon became the greatest maritime power of the Mediterranean.  But Barcelona gained this worthy title despite not having a port to house sea vessels.  Because of this lack of a port the ships that anchored in the city were greatly exposed to storms that destroyed ships right off the city’s coast.  These storms not only sunk ships but also inhibited the city’s ability to build a harbor to provide shelter and facilitate the loading and unloading of cargo supplies because of the large amounts of sand and sediment that were deposited damaged any work that was in progress and/or completed (Port de Barcelona).
The first successful work on the harbor began in 1477 and the plan was to extend a dock reaching the Maians Islands 100 meters off the coast.  In order to create this dock, large amounts of sand were deposited on the beach to the southeast of the Ciutadella.  This helped create Barceloneta, a seafront neighborhood for the refugees of the Ribera neighborhood.  Another problem the harbor encountered was the shallow depth it held which ultimately caused ships to become stuck.  In order to fix this problem, work commenced in 1816 to extend the breakwater so ships could remain afloat.  One of the most important consequences of the harbor project was the creation of the Port of Barcelona Board of Public Works in 1869.  A year previous Barcelona authorities requested permission from the Development Ministry to create this board in order to decentralize the power.  The board remained active until 1978, almost a century after it was created.  Under the Board of Public Works the problems with sand and storms was finally settled due to the construction of the first “transversal dock” in 1882.  This dock later housed the Jaume I cable car, which was built for the 1929 Universal Exhibition (Port de Barcelona).
After years of repression under Franco, Barcelona was ready to reinvent itself in the post-Franco era.  In the midst of a deep economic crisis in 1980, the movement to transform Barcelona into a modern city was in motion.  When Barcelona won the bid to host the 1992 Summer Olympics, it put this movement into full swing.  Barcelona is now seen as an international success story for transforming itself from a “grey” industrial city to a sprawling metropolis sought out by tourists from all over the world (Marshall).  It is important to note how quickly Barcelona was able to complete its metamorphosis and market itself as a reinvented city, all in just over one decade.  A main priority of the city planners and developers was to open the city to the sea.  This required a full-scale operation on the sea front.  For this, Barcelona had a huge amount of industrial space with great potential for urban renewal (Marshall).
Capitalizing on the 1992 Olympic Games, Barcelona drastically transformed its harbor.  One of the main ideas for change in this area was to open up the seafront and make it accessible (Nel-lo).  In order to open the Port up to the city, the area’s infrastructure had to be altered.  The restructuring of the railway system, some place underground, and the sewage system removed barriers to coastal access (Essex).  Also, a new highway system was built underground (Nel-lo).  This highway system allows for high traffic flows without hindering access to the coastline.  A pedestrian bridge, Rambla de Mar, now spans across a section of the sea to an area filled with several new coastal activities.  The restructuring of the transportation systems removed the physical barriers that previously prevented the coastline to be developed for public use.
The opening of the coastline to public access allowed for additional development along the harbor.  The Olympic Harbor was constructed in the freed space.  It has a capacity for 700 boats in the water and 300 on the shore (Nel-lo).  A large portion of the Olympic Harbor was built for public spaces, such as: bars, restaurants, and shops.  A 30 meter wide seafront promenade was built (Nel-lo).  The promenade houses restaurants and commercial spaces.  The rundown beaches were rehabilitated, adding 18 Ha of beaches with piers protecting the sand from being washed away by the currents (Nel-lo).  Across the Rambla de Mar, coastal activities were located to draw tourists and locals.  A shopping mall, aquarium, and I-Max theater are the main attractions placed across the bridge.  New hotels, office, and commercial spaces were also opened up with the construction of two 100 meter high towers (Nel-lo).
The 1992 Olympic Games were the catalyst that sparked the greatest change to the city’s harbor.  Since the 1960s, Olympic Games have been used to trigger large-scale urban improvement (Essex).  The city needed to be cleaned up and rejuvenated prior to the games.  The main objectives of the rejuvenation were: to open the port to the city, to introduce the recreation and leisure activities, and reutilizing the port area, which could house more activities in accordance with its present needs without compromising the harbor character (Wang).  Prior to the Games the beaches of Barcelona were littered with empty warehouses, industrial sites, old fish markets, army barracks, a women’s jail, and in general the beaches were dumping grounds for household rubbish and industrial waste (Oriol Nel-lo).  Consequently the redevelopment of Port Vell has changed many people’s perceptions of the waterfront.  Facilitated public access has allowed people to enjoy the new urban frontier and reshaped the harbor.  Not only did Barcelona consider the technical issues coupled with the renovation, but the aesthetic ones as well when it designed the Rambla de Mar; a pedestrian walkway sprouting from the shore and extends into the water (Wang).  It is necessary to recognize that neither the old beaches nor the local district of Barceloneta had the minimum urban infrastructure required to classify them as safe public areas.  Rather, they were marginal urban spaces, deprived of social and economic investment, despite their lively, popular image.  Today, walking through the public areas of the new seafront and Port Vell one can see proof of the popularity of these newly created urban environments in the increasing numbers of children, and of young and retired people using them.  These places are symbolically justified as collective spaces where individuals co-exist despite their social, sexual, ethical, and political differences (Sanchez).

Essex, Stephen: Olympic Games: catalyst of urban change. Devon, UK: University of Plymoth, 1998. 12-14.

Marshall, Tim: Transforming Barcelona. London, UK: Routledge, 2004.

Nel·lo, Oriol: The Olympic Games as a tool for urban renewal: the experience of Barcelona’92 Olympic Village. Barcelona: Centre d’Estudis Olímpics UAB, 1997.

Sanchez, Antonio: Postmodern Spain: A Cultural Analysis of 1980s-1990s Spanish Culture. Switzerland: Peter Lang, 2007.

Wang, Chunsong: Waterfront Regeneration. Cardiff, UK: Cardiff University, 2008.